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As we know, my main character, Captain Richard Gaines is suffering from Post Traumatic Stress. He resigned his commission soon after the Battle of Trafalgar and wanders the Thames at night searching for relief from his nightmares. He's fine, more or less, during the day, but he can't sleep.
Anyway, I was having a conversation (email) with a friend of mine, a very learned friend and as I was describing Richard's story (briefly) I used the words ship and boat synonymously. My friend corrected me "You do know that ships carry boats. Boats are small vessels."
So, I started doing more research. About boats. Excuse me, about ships. Specifically, Ships of the Line. The Royal Navy had several different classes of Ships of the Line, which could carry different complements, had various guns, could perform different jobs.
A "gun" was a cannon, mounted inside the boat. (Different classes of guns -- some were bolted to the floor, others were on a "bungee" system of ropes -- and no they were not called bungees, but I can't remember what they were called. Suffice it to say, when the cannon fired, it recoiled and then bounced forward. The ropes were used to keep it from blowing out the back part of the ship.)
Above decks, there were sailors (men who climbed the ratlines to unfurl the sails 3 men per sail, 3 sails per mast, 3 masts per ship), midshipmen (who took care of the decks 6 per side) carpenters, sailmakers, coopers, officers, petty officers, junior officers, mates, master mates and a whole array of other men who had lesser jobs. The life was hard, disgusting, dirty, the food horrible, the pay (if you weren't an officer) negligible. Which was why impressment was so prevalent during the Napoleonic wars.
And this is just a 74 gun Ship of Line. Can you even imagine what a 90 gun was like? 350 men? I can't fathom it.
Do I really need to do all this research for a romantic novel? The true answer is yes and no. I could have just skipped to the parts I really needed. Who was whom on the vessel and what they said or did. Do I have to know the names of the parts of the ship? Do I have to know the difference between a yeoman and a first mate or a petty officer? Not really. Will it add anything to the story if I mention the binnacle was wrapped in brass? Kind of but no, not especially.
Then why do I take so much time to do all this unnecessary research? Especially as I'm not even placing Richard on a Ship of the Line. As there will only be one very small battle between a cutlass and a trabocolu. Because I need to know what I'm talking about. If I said the bosun was manning a gun, I would be oh so very wrong and someone, somewhere would call me on it. Will I actually use most of the research I've done? Probably not. However, what I do use will be accurate and that is important. To me doing all this research helps set the "tone" of the novel. If I can't get the right tone, those scenes will be worthless.
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Watching the Horatio Hornblower series with Ioan Gruffud and Master and Commander with Russell Crowe.
Swashbuckling, dashing, an oh-so-romantic Naval heroes. Now you know why I do my research.
Tell me -- Do you appreciate an author who does detailed research? Or would you rather just skip to the romantic parts?
Anne Gallagher (c) 2013